Author: Josan

Plan B’s Team Explains How They Discover Bold Films Like ‘Moonlight’ and ‘Lost City of Z’

The co-presidents of the company responsible for two New York Film Festival titles explain their thinking behind the varied projects they’re tackling at the moment.

Brad Pitt has a famous face, but these days, his name is even more ubiquitous on projects that he doesn’t star in.
Plan B, the production company Pitt co-founded with Brad Grey and Jennifer Aniston in 2001, has gained traction in recent years as one of the most significant entities supporting auteur-driven work in the United States. In 2013, the company helped bring Steve McQueen’s Oscar-dominating “12 Years a Slave” to fruition. Over the next two years, the company’s highlights included Ava DuVernay’s “Selma” and Adam McKay’s “The Big Short,” both of which struck a marked contrast to more traditional studio offerings. Earlier this fall, the company unveiled “The Voyage of Time,” Terrence Malick’s cosmic documentary about the origins of the universe.

But there may be no better demonstration of Plan B’s current focus than the two films it produced that screened this month at the New York Film Festival: Barry Jenkins’ “Moonlight,” a decade-spanning look at the life of a young gay black man in Miami, and James Gray’s ambitious “The Lost City of Z,” a rough-hewn adventure drama about British explorer Percy Fawcett’s lifelong attempt to discover a mythical city in the middle of the Amazon rainforest. (A24, which co-produced “Moonlight,” will release the film on October 21; “The Lost City of Z” will be released by Amazon and Bleecker Street next year.) Both movies couldn’t have been made by the traditional Hollywood studio system; they’re singular works that reflect the creative freedoms of their directors, and Plan B provided a crucial foundation for them to exist.

Read more. Interesting interview, I recommand!

Brad Pitt skips documentary premiere to focus on ‘family situation’

Brad Pitt said on Tuesday he was skipping the premiere of his latest project to focus “on my family situation” and not distract from the educational documentary, following his highly publicized marital split from Angelina Jolie.

Pitt, 52, narrated the 45-minute IMAX documentary film “Voyage of Time,” directed by Terrence Malick, which he called “incredibly beautiful.”

“I’m very grateful to be part of such a fascinating and educational project, but I’m currently focused on my family situation and don’t want to distract attention away from this extraordinary film, which I encourage everyone to see,” the actor said in a statement.

It was Pitt’s second statement since news of the Hollywood power couple’s split broke last week.

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Brad Pitt Breaks Silence on Divorce from Angelina Jolie

Brad Pitt has spoken out about his divorce from Angelina Jolie.

In a statement released to PEOPLE, Pitt said his focus is on the “well-being of our kids.”

“I am very saddened by this, but what matters most now is the well-being of our kids,” he said in the statement. “I kindly ask the press to give them the space they deserve during this challenging time.”

Jolie filed for divorce from the actor, 52, on Monday after just two years of marriage, citing irreconcilable differences.

Jolie also released a statement addressing the divorce: “This decision was made for the health of the family,” the actress’ attorney said. “She will not be commenting at this time, and asks that the family be given their privacy during this difficult time.”

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‘Voyage of Time: The Imax Experience’: Film Review | TIFF 2016

Terrence Malick’s history of the universe flies by in under an hour on the giant Imax screen.
Premiering at the Toronto International Film Festival a week after the 35mm feature film Voyage of Time: Life’s Journey bowed in Venice, the 45-minute Voyage of Time, The Imax Experience is not surprisingly the more visceral physical experience. It also is far less magical and mystical than the longer version, where Cate Blanchett questions the Mother about her purpose in the universe. Here, co-producer Brad Pitt’s matter-of-fact narration is stripped of spiritual connotations and seems aimed to dazzle a younger audience of children and students. As the history of the universe speeds by in spectacular full-screen images, the eerie, intimate, urgent need to know why, which was so unique in Life’s Journey, dissolves into a pure documentary and writer-director Terrence Malick’s voice is muted beneath all those superb visual effects.

Though the wonder of galaxies, nature and the planet Earth is magnified to room-size, the feeling of awe is undercut by a perhaps inevitably rushed quality. Let’s say that 45 minutes isn’t a whole lot of time to cover several billion years of natural history. Nearly all the shots used by editors Keith Fraase and Rehman Ali in the Imax film are present in the feature, which was long enough to give them time to construct a symphonic build-up to emotional peaks. Here, there is less music, more facts. On the other hand, the shorter format seems to follow the same structure of a chronological timeline, and no major sequence has been cut out.

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NY Times

1. Brad Pitt is a plant murderer.

The worst kind, too. The kind who lets a plant starve to death. The evidence, at two opposing corners of his office in Beverly Hills; skeletal remnants that long gave up hope of ever being watered. He’s been away for 10 months, he says. An explanation, if not exactly an excuse. Regardless, I vow to expose his plant-murdering ways because the American public deserves to know, and besides, at 52 one should take whatever notoriety one can get.

I’m at Plan B, the film production company Pitt co-founded in 2001 and now owns, and I’ve decided to impress him with my knowledge of architecture, something he learned about while helping to rebuild the Lower Ninth Ward in the aftermath of Hurricane Katrina. I figured I’d introduce him to Shigeru Ban, famous for his Cardboard Cathedral in Christchurch, New Zealand, and other disaster-relief projects around the world. But there, sitting on Pitt’s bookshelf, is an entire monograph of his work.

Near his record player are Joe Strummer’s albums with the Mescaleros, not a surprise, but also rare books on fringe culture, including Danny Lyon’s “The Bikeriders,” which are. This is a revelation not because Pitt is a megastar, which can lead to a certain out-of-touchness, but because he’s a father, and the first thing that goes after having kids is coolness. The first thing that comes are jorts. So when he gets up to shake my hand — dressed in a white T-shirt, white jeans and a white fedora — he seems more like the Dude than a dad.

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• x008 NY Times.
• x037 Narrating passage from novel by Marlon James.

‘Blonde’: With Netflix Behind It, Will This Marilyn Monroe Biopic Finally Get Her Story Right?

It’s been quite the rough go for director Andrew Dominick’s Marilyn Monroe biopic. The film, regrettably, has been stuck in development hell for the past eight years now. It’s also seen several high-profile actresses, namely Naomi Watts and Jessica Chastain, attached to the project, but both eventually dropped out due to commitments set elsewhere. It appears, however, through the divine intervention of a streaming giant that the film has finally caught its big break. And unlike Marilyn, this film’s first exposure will be set in the stage of one of the most innovative media companies of the modern age.

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Amazon Negotiating To Acquire Rights To ‘Lost City Of Z’

Amazon is negotiating with CAA to distribute its clients’ drama The Lost City of Z from James Gray. The period adventure based on the David Grann book stars Charlie Hunnam, Tom Holland, Robert Pattinson and Sienna Miller. It’s being produced by Brad Pitt’s production company, Plan B, and is also slated as the closing night picture of the New York Film Festival on October 15.

The project, based on a true story, is set in the Amazon rainforest and is about the mystery surrounding British explorer Colonel Percival Fawcett who disappeared while searching for the lost city of Z. Sources said no deal is done, but they are working to close it.

CAA, who arranged the film’s financing, reps Gray, Pitt and Hunnam while Sierra/Affinity has been handling international sales.

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Netflix Streams Disney, Marvel, Lucasfilm And Pixar In September

Good news. animated film junkies. Movie streaming site Netflix has announced its schedule of select animated films from Disney, Marvel, Lucasfilm, and Pixar.

The availability of animated films from the leading animation studios today is the highlight of Netflix for the month of September. The movie-streaming site will also feature some of its original movies, Netflix announced way back in May.

The Netflix originals that will be featured this month include “Mascots” and “War Machine,” starring award-winning Hollywood actor Brad Pitt.

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