Brad Pitt has spoken out about his divorce from Angelina Jolie.
In a statement released to PEOPLE, Pitt said his focus is on the “well-being of our kids.”
“I am very saddened by this, but what matters most now is the well-being of our kids,” he said in the statement. “I kindly ask the press to give them the space they deserve during this challenging time.”
Jolie filed for divorce from the actor, 52, on Monday after just two years of marriage, citing irreconcilable differences.
Jolie also released a statement addressing the divorce: “This decision was made for the health of the family,” the actress’ attorney said. “She will not be commenting at this time, and asks that the family be given their privacy during this difficult time.”
|BP Gallery Update|
• x033 July 04 – Los Angeles, CA.
• x004 July 12 – Los Angeles, CA.
• x003 July 12 – Restaurant – Los Angeles, CA.
• x006 July 13 – Los Angeles, CA.
• x004 July 19 – Los Angeles, CA.
• x005 July 20 – New York City, NY.
Thank you Vaska!
Terrence Malick’s history of the universe flies by in under an hour on the giant Imax screen.
Premiering at the Toronto International Film Festival a week after the 35mm feature film Voyage of Time: Life’s Journey bowed in Venice, the 45-minute Voyage of Time, The Imax Experience is not surprisingly the more visceral physical experience. It also is far less magical and mystical than the longer version, where Cate Blanchett questions the Mother about her purpose in the universe. Here, co-producer Brad Pitt’s matter-of-fact narration is stripped of spiritual connotations and seems aimed to dazzle a younger audience of children and students. As the history of the universe speeds by in spectacular full-screen images, the eerie, intimate, urgent need to know why, which was so unique in Life’s Journey, dissolves into a pure documentary and writer-director Terrence Malick’s voice is muted beneath all those superb visual effects.
Though the wonder of galaxies, nature and the planet Earth is magnified to room-size, the feeling of awe is undercut by a perhaps inevitably rushed quality. Let’s say that 45 minutes isn’t a whole lot of time to cover several billion years of natural history. Nearly all the shots used by editors Keith Fraase and Rehman Ali in the Imax film are present in the feature, which was long enough to give them time to construct a symphonic build-up to emotional peaks. Here, there is less music, more facts. On the other hand, the shorter format seems to follow the same structure of a chronological timeline, and no major sequence has been cut out.
1. Brad Pitt is a plant murderer.
The worst kind, too. The kind who lets a plant starve to death. The evidence, at two opposing corners of his office in Beverly Hills; skeletal remnants that long gave up hope of ever being watered. He’s been away for 10 months, he says. An explanation, if not exactly an excuse. Regardless, I vow to expose his plant-murdering ways because the American public deserves to know, and besides, at 52 one should take whatever notoriety one can get.
I’m at Plan B, the film production company Pitt co-founded in 2001 and now owns, and I’ve decided to impress him with my knowledge of architecture, something he learned about while helping to rebuild the Lower Ninth Ward in the aftermath of Hurricane Katrina. I figured I’d introduce him to Shigeru Ban, famous for his Cardboard Cathedral in Christchurch, New Zealand, and other disaster-relief projects around the world. But there, sitting on Pitt’s bookshelf, is an entire monograph of his work.
Near his record player are Joe Strummer’s albums with the Mescaleros, not a surprise, but also rare books on fringe culture, including Danny Lyon’s “The Bikeriders,” which are. This is a revelation not because Pitt is a megastar, which can lead to a certain out-of-touchness, but because he’s a father, and the first thing that goes after having kids is coolness. The first thing that comes are jorts. So when he gets up to shake my hand — dressed in a white T-shirt, white jeans and a white fedora — he seems more like the Dude than a dad.
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• x037 Narrating passage from novel by Marlon James.
|‘Blonde’: With Netflix Behind It, Will This Marilyn Monroe Biopic Finally Get Her Story Right?|
It’s been quite the rough go for director Andrew Dominick’s Marilyn Monroe biopic. The film, regrettably, has been stuck in development hell for the past eight years now. It’s also seen several high-profile actresses, namely Naomi Watts and Jessica Chastain, attached to the project, but both eventually dropped out due to commitments set elsewhere. It appears, however, through the divine intervention of a streaming giant that the film has finally caught its big break. And unlike Marilyn, this film’s first exposure will be set in the stage of one of the most innovative media companies of the modern age.