Several months ago it seemed as though this may be Brad Pitt’s year. For some, he’s a movie star who happens to know how to act. To others he is a talented character actor who happens to be a remarkably good-looking movie star. Pitt himself will often say that he has learned his craft over the course of a 20-year career peppered with hits and misses, but he has become known for his humility as well as his willingness to take chances and go against the grain of what could have been a one- or two-note body of work.
For a time in the precursor season, it appeared as though he may be nominated for “The Tree of Life” as well as “Moneyball.” Each would offer particular PR challenges. Neither necessarily represents a no-brainer Oscar win (great historical figure, person facing life-altering trauma or, as Ricky Gervais taught us in “Extras,” a Nazi or a nun). But “Moneyball” is also a film that is notably devoid of the bells and whistles of the traditional “sports movie.” There is no great triumph, no moment of cathartic victory in a neatly wrapped package of money and accolades. What the film does offer is a look at how and why we define ourselves and others as we do, as well as an exploration of a thinking man’s way through a system that is inherently inequitable.
Read more. Thanks Danielle.
