Speaking on The Big Picture podcast, Sean Fennessey, who is a friend of Tarantino’s, said that “it definitely seems like this movie is happening.
“David Fincher’s laundry list of movies that have never made it to the big screen or to Netflix streaming service is pretty long…I don’t know if this is like a locked picture that is going into production in July. It seems like it is.”
He continued, “This probably should not be thought of as a sequel. It should be thought of as a follow-up that is connected to, but not the same as — the example that was cited to me was, think about how The Big Sleep, the Raymond Chandler adaptation starring Humphrey Bogart, is in the same world as Farewell, My Lovely, the 1975 Robert Mitchum movie, because they play the same character in that movie. But it’s different actors, different directors, and a different time in the storyline. They’re different.
“…This will be like the further adventures of Cliff Booth, is my understanding of it. The only other important information that I’ve learned, that I think is confirmed, is that the movie takes place in 1977, which is roughly eight years after the events of Once Upon a Time in Hollywood. So a different time in Cliff Booth’s life.”
Category: Once Upon A Time In Hollywood
David Fincher To Direct Brad Pitt In ‘Once Upon A Time In Hollywood’ Sequel Written By Quentin Tarantino
Now Fincher and Pitt working together isn’t a surprise; the “Se7en” filmmaker gives Pitt first dibs on all his projects (he turned down “The Killer” for example), but directing a film based on the screenplay of Tarantino, who always directs his own material, is not only an unexpected shocker, it’s a cinematic first.
READ MORE: Quentin Tarantino Scraps ’The Movie Critic’; Brad Pitt Would Have Reprised Cliff Booth Role From ‘Once Upon A Time In Hollywood’
What’s more, the project is being set up at Netflix, where Fincher has a first-look deal and aims to shoot quickly this summer.
From what I understand, this is the screenplay that Tarantino’s “The Movie Critic” evolved into when the writer/director couldn’t put the pen down and kept exploring the adventures of Cliff Booth.
Tarantino must have loved the script and didn’t want it to languish in a drawer because sources close to the filmmakers tell us he approached Fincher, and Netflix has quietly put together the deal, which will probably end up being around a $200 million budget to shoot in California this July—yep, it’s being fast-tracked and happening fast, meaning we’ll get additional casting soon.
SB Update
I updated:
• The BP Press section (2021) with the latest Miraval interview by Brad’s business partner Damien Quintard.
• The Plan B page was updated.
• The Movies section has been updated. I added the latest movies: Deadpool 2, Ad Astra & Once Upon a Time in Hollywood.
And I have been working hard at some gallery updates. Expect some BP Media updates again too. Check out the nice one below this post.






• x045 October 06, 2019 – GQ Photoshoot
• x003 Photoshoot (2019)
• x039 October 27, 2014 – Between Two Ferns
• x053 May 16, 2017 – The Late Show with Stephen Colbert
• x033 September 19, 2019- Jimmy Fallon
• x067 September 20, 2019 – The Ellen Show
PS. The videos of the above screencapped interviews/clips can be found at the BP Media section.
‘Once Upon a Time in Hollywood’ Novelization Reveals New Hardback Cover Art
The hardcover of Quentin Tarantino’s Once Upon a Time in Hollywood novelization finds the writer-director highlighting both an extreme moment from his ’60s-set Tinseltown tale, as stuntman Cliff Booth drives into the Manson Family-occupied Spahn Ranch, as well as the lower extremities of Pussycat, the character played by Margaret Qualley in the film.
And that’s just one of the additional goodies which readers can expect when Harper publishes this new edition of the novel on Nov. 9. EW can reveal that the hardcover version will include two color inserts featuring never-before-seen photos from the set and posters and other memorabilia from Rick Dalton’s career. The book will also feature an original, exclusive script for a Bounty Law episode by Tarantino titled “Incident at Inez,” and a Mad Magazine parody of Bounty Law titled “Lousy Law: Loser’s Last Ride.”
Tarantino On His ‘Once Upon A Time In Hollywood’ Novel, Retirement, Fatherhood, And Other Great Tales
Quentin Tarantino long has taken his encyclopedic cinematic influences, including genres and actors from the past, and blended them through his filter to create wildly inventive films that have influenced many up-and-coming filmmakers. Now, he has done a similar thing that I bet will not be copied by other filmmakers. After steeping himself for a half-decade in the lore of ’60s films, stuntmen, Western TV series and the Manson family to create Once Upon a Time in Hollywood, Tarantino harkened back to his love for movie novelizations and wrote one for his own movie, after the fact. The book becomes in a way its own singular Tarantino creation: Using his film as a springboard, Tarantino heads into many unexpected directions while satisfyingly expanding and fleshing out the mythology of the world and the characters populated by Leonardo DiCaprio, Brad Pitt, Margot Robbie and others. If you are a fan of the movie, you’ll find it hard to put down a novel that first was published in paperback. Here, Tarantino discusses why he put the same painstaking detail in the book as he did the movie, and where he goes from here.
Read more. Great read, lots of mentions of Brad’s character Cliff Booth.