Category: magazines

Brad Pitt, Chris Evans, Laura Dern and Six Other Stars Grace the Covers of W’s Best Performances 2020 Issue

For the Best Performances 2020 issue, the stars of the biggest films of the past year posed for photographer Juergen Teller in the most quintessential of Los Angeles locales: strip malls, parking lots and hotel rooms. This time around, the annual portfolio features nine different covers, with Brad Pitt (Once Upon a Time…in Hollywood and Ad Astra), Joaquin Phoenix (Joker), Jennifer Lopez (Hustlers), Eddie Murphy (Dolemite Is My Name), Chris Evans (Knives Out and Avengers: Endgame), Laura Dern (Marriage Story and Little Women), Adam Driver (Marriage Story, The Report, and Star Wars: The Rise of Skywalker), Adam Sandler (Uncut Gems) and Scarlett Johansson (Marriage Story and Jojo Rabbit) at their bold, unvarnished, effervescent best. For the portfolio inside the issue, the actors sat down with W’s Editor at Large Lynn Hirschberg to discuss their lives and work: Dern reflects on her public perception (she’s never felt like an icon), Lopez recalls her early days as a dancer, and Murphy opens up about the films and comedy albums that influenced him as a kid. Here, all of Teller’s iconic covers for W’s first issue of the new decade, and its tenth edition of Best Performances.

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Be sure to read Brad’s hilarious (in my opinion) short interview right here.

• x005 W Photoshoot

New York Times

As the stuntman Cliff Booth in Quentin Tarantino’s “Once Upon a Time … in Hollywood,” Brad Pitt laid down a performance of vintage Hollywood dudeness. His character is equally at ease being a human security blanket for his B-list-actor boss, played by Leonardo DiCaprio, as he is subduing murderous Manson family members while tripping on acid. In James Gray’s “Ad Astra,” Pitt used the same tools he wielded so deftly in Tarantino’s film — laconic cool; understated emotion — to build an entirely different version of masculinity. In it, he’s Roy McBride, an astronaut on an interplanetary mission to find his absentee (in multiple senses of the word) father. But McBride’s imperturbability is rooted in repression and hurt, nothing like Booth’s so-it-goes acceptance. “The two characters could be connected,” Pitt says, “in the sense that you have to go through an evolution to get to a place of comfort. You have to go through profound internal hardships.”

Read more. Thanks Shann!

• x004 New York Times

BP Gallery Update



• x019 Photoshoots
• x012 Once Upon a Time in Hollywood (Stills & Promotional Photoshoots)
• x020 Television (The Today Show, Ellen, Good Morning America & Jimmy Kimmel)
• x010 Magazines (Covers 2019)
• x018 Ad Astra (Behind the Scenes, Promo & Stills)
• x006 September 16 – Space Operations Center at NASA Headquarters – Washington, WA
• x007 September 16 – NASA Jet Propulsion Laboratory

PS. He sure has been busy and with that – keeping me and other BP fansites busy. But I am enjoying these updates. More soon!

GQ

Brad Pitt doesn’t give interviews often, and when he does, they tend to happen in strange and impromptu places. Like this poolhouse, on a property that belongs to neither of us, not too far outside Pasadena. By necessity and inclination, Pitt likes to present a moving target, and so he spends a lot of time passing through spaces like this one, spaces that are convenient to something else he’s doing and that once he leaves, he’ll likely never see again. He’s Brad Pitt, though: With him comes an atmosphere, his own weather, a heightened kind of reality that involves everyone in the vicinity looking directly at him until he’s gone. Despite that—or, maybe at this point, because of it—he’s learned to be comfortable, at ease, just about anywhere. Anyway, picture a room we’re both strangers to. That’s where Brad Pitt and I talk.

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• x013 GQ

BP Gallery Update


• x010 Empire (UK)
• x002 Ad Astra – Promo
• x005 Ad Astra – Stills
• x002 Television – July 16 – The Today Show
• x001 Once Upon a Time in Hollywood – Stills
• x002 Once Upon a Time in Hollywood – Promo
• x004 Magazines – Covers ’19

PS. Brad features the cover of the spanish Fotogramas, the german GQ, the japanese Screen and french Premiere magazine. If you have Brad material to share, new magazines scans etc. please email me :)

Esquire

Quentin Tarantino is in my face. He’s smiling, polite. But still, in my face. Nose-to-nose like.

“Listen,” he says, and he starts fast-twirling his index finger in a tight circle, like he’s winding dental floss around it. “I’ve come up with a few questions that could be really good for you to ask.”

His voice is hushed, conspiratorial, but since this is Tarantino, it’s also stage-whisper loud. And naturally, the words tumble out of his mouth with an urgency I would, in any other encounter, describe as Tarantino-esque. But in this case, that’s redundant.

We’re on the patio of a house in the Hollywood Hills. A minute earlier, I was alone under the eaves, looking at Tarantino, Brad Pitt, and Leonardo DiCaprio standing near the pool, all of Los Angeles unspooling into the horizon behind them. For a moment, I found myself staring at the three of them, thinking, Well, damn. Don’t exactly see this every day.

I’m waiting for them to finish being photographed so that we can talk about how they came together to make Tarantino’s new movie, Once Upon a Time in. . .  Hollywood, and what they learned through that creative process. Today will be the first time all three of them have been in the same room since they wrapped production in November. For the past six months, Tarantino has been racing to finish cutting the film, to premiere it at Cannes. Still, he found time to phone me two days ago, to give me some backstory on the film’s development. Yet it seems since then, he’s also had time to think about what we could discuss.

“But here’s something important,” he says. “I don’t want it to seem like you are asking a question.”

Read more. It is an amazing (long) interview with a beautiful new photoshoot featuring Brad, Leonardo DiCaprio and Quentin Tarantino! I am excited. Be sure to pick up your copy! If you are able to scan it for SimplyBrad.com, please email me :)


• x010 Esquire 2019

GQ: Meet Brad Pitt’s Secret Weapon

Jean Black, a makeup artist who never gives interviews, talks about working with Brad Pitt and his famous face for almost 30 years, and what it is that makes him so special.

You’ve probably never heard of Jean Black but she’s been behind the scenes with Brad Pitt for over 27 years, a quiet cog in the machine that is his career—and an integral part of his personal life. Black is a makeup artist who has worked with Pitt on about 30 of his films (they recently counted it up for fun), all of his editorial shoots, and all of his red carpet events. Needless to say, a working relationship like this in Hollywood, the most fickle of towns and industries, is very very unusual.

Black’s relationship with Pitt is endearing. She talks about him like he’s a real, true friend because, well, that’s exactly what he is. She’s camped with him on a boulder for A River Runs Through It, trudged through mud for Fury, and been with him throughout his incredible personal and professional rollercoaster of a life. She’s had the kind of experience with a celebrity that just doesn’t exist for most normal people. She’s the one in the trailer with him, she’s the one holding cold spoons to his eyes when he’s tired and looks it, she’s there when he’s falling in love, and there when he’s getting divorced. And she has something (many things) to say about why Pitt is so lovable. Furthermore, she’s the ultimate authority on what exactly it is about Brad Pitt’s face that churns us all into a frenzy. Reluctant to take too much credit for her life’s work, Black insists that Pitt’s appeal is largely due to his charm—to some kind of magical charisma that he himself is not aware of. We talked to her about some of his most iconic movies, what it’s like to be friends with the ultimate celebrity, and how working with Pitt is the easiest job in Hollywood.

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