January 13, 2018
by admin /

BRAD PITT IS A SERIAL KILLER – by Edwin J. Bernhard

Well, only in his new film, you understand. In the quirky road movie Kalifornia,
Brad stars with ex-girlfriend Juliette Lewis as a low-rent trailer park drifter
with a serious attitude [and a seriously scary beard]. Edwin J. Bernhard talked
to him on location. Photographs by Phillip Dixon.

Lone Pine, California [pop 2,000] languishes in the cool shadow of Mount Whitney
in the Sierra Mountains range. Humphrey Bogart filmed High Sierra here. John
Wayne, Kirk Douglas, Clint Eastwood and countless other Hollywood idols have
been making movies at this eerie desert location, just four hours from LA, for
more than 70 years. Now it’s Brad Pitt’s turn.

This year we’ll see Brad Pitt in transition. In what could possibly be
his final anarchic and quirky, violent road movie, Kalifornia, and, along with
Christian Slater, Patricia Arquette, Gary Oldman, Val Kilmer and Dennis Hopper,
in Quentin Tarantino’s ultra-violent road movie, True Romance, due out
this autumn. Directed by Tony [Top Gun] Scott, True Romance makes Tarantino’s
Reservoir Dogs look like 101 Dalmatians, with Gary Oldman getting his face blown
off and Val Kilmer playing the ghost of Elvis Presley.

By next year Pitt will be a fully-fledged Hollywood star, pitted against the
likes of Cruise and Gibson. In the first of his double whammy deals, Legends
of the Fall, Pitt will play son to Anthony Hopkins’ father in Ed [Thirtysomething]
Zwick’s movie about two generations of Montana ranchers fighting in World
War One. He’ll then be doing some major necking with Tom Cruise in the
much-anticipated screen version of Anne Rice’s homoerotic horror/brutal
love story Interview with a Vampire, written and directed by The Crying Game’s
Neil Jordan, Risky Business indeed.

Today, though, in the heat and dust of a California summer, close to an abandoned
mineshaft on a mountainous plateau which feels like the edge of the world, the
Kalifornia film crew is taking a break. Close by, a scarred, tattooed hobo with
a straggly beard and dirty shoulder-length hair takes a drink from a paper cup,
wipes his mouth with the neck of his T-shirt and tosses the crunched-up cup
into the bushes. This is Hollywood’s megastar of tomorrow? Pitt smiles,
revealing a chipped front tooth, as he sticks out an arm. “I’m all
dirty,” he half-apologizes. “You might not want to shake my hand.”

I don’t. Instead I ask him about his character, Early Grace, an amiable
serial-killer who has hitched a ride across America for himself and his childlike
girlfriend, Adele [played by Pitt’s former real-life girlfriend Juliette
Lewis] with an unsuspecting couple—Twin Peaks’ transvestite FBI
agent David Duchovny and former soap star Michelle Forbes—who just happen
to have an academic interest in grisly murders.

“I guess he’s pretty wacky,” says Pitt, while I try not to
gawp at his beard. “What do you want to tell you about him? He likes Lynyrd
Skynyrd, drinks a lot of beer, spits a lot…” Sounds like fun to
play. “Yeah, he’s a blast. Are you kidding? It’s like cops
and robbers again, right? It’s fun as hell. Sure, there’s a very
dark side to it, but, whatever… I wanted to do it because I wanted to
play a guy who was all up in the air. I recently got off this real heavy drama
[A River Runs Thought It], and I wanted to play a guy who was bouncing around
like a pinball up here,” he says, pointing to his head. “I’ve
read a lot of scripts with killer idiots and they’re just black and white,
TV fodder. I liked hearing everyone’s analysation [sic] of serial killers.
It’s a given. I don’t know why. You look at a litter of puppies
and you see their personalities in the first week. I don’t know why some
people become killers and some become doctors. He’s a pig; real white
trash. You know, people annoy you but if you watch them on the screen you see
why they’re that way.” He continues, shielding his eyes against
the sun, “I remember I started reading a book, a psychology book on killers,
and I got to page 23 and it just bored the hell out of me. You just kinda go
on automatic, whatever works for you. I got better things to do with my time
than live like a bum for two months to get into the role. You just drop your
morals. Seriously. It’s that easy.” As he’s first to admit,
there’s not much Method in Pitt’s madness.

Brad Pitt and Juliette Lewis were still hot and heavy, as they say, when they
made Kalifornia together. Director Dominic Sena, best known so far for his stylish
Janet Jackson videos, didn’t actually intend to cast Hollywood’s
then hottest couple in his first feature film. Impressed separately by Lewis’s
work in Cape Fear and Pitt’s Thelma & Louise, he was surprised to
discover they were actually going out together. “The next day when the
word came back,” says Sena, “I thought, that either great or terrible.”

Fortunately, they didn’t break up until March this year, ironically during
the very same week they were vote male and female “Stars of Tomorrow”
at the NATO/ShoWest Awards in Las Vegas. Since then Lewis has been linked with
Johnny Depp [her co-star in the forthcoming Gilbert Grape], and Brad with Julia
Ormond, his co-star in Legends of the Fall, currently shooting in Canada.

Not that there was any indication when I talked to them on the set of Kalifornia
that their romance would ever end. “It’s very serious,” Juliette
had told me earlier that day. “We’ve been together three years now.
So we’re not rushing. Five years maybe, we’ll start then, you know?
We’re totally in love. Some people call love that arguing, tense, weird
relationship thing, but I don’t think that’s love. When you can
work together as a team and help each other and be considerate of each other
and things like that, that’s love and that’s what we do.”

“The thing about Brad is he doesn’t know how beautiful he is,”
she continues enthusiastically, “and I have to tell him that he’s
just distractingly beautiful. He doesn’t know that. He’s totally
oblivious to that. So he doesn’t care. And he’s really innocent
and kinda sweet. He’s from Missouri,” she adds, vaguely, as if that
somehow explains everything. “He has some other thing from growing up
there.”

Later, Juliette Lewis sidles up to Brad as he’s having his tattoos and
scars retouched in the make-up tent, puts her arms around him and looks very
meaningfully into his eyes whilst fondling the straggly hair on his upper lip
[like, yeuch]. It’s true, then, when they say that love is blind: Pitt
is grungy and caked in dirt and dust and sweat; Lewis is wearing disgusting
pantaloons with a lime green polyester floral dress. Call the fashion police!

Actually, the real police [well, the movie police] are already there. It’s
near the climax of the film and the shoot-out between Early and the cops. Watching
Pitt rehearse is pretty funny. Without his prop gun, he points his finger and
goes “Bam! Bam! Bam!”—just like cops and robbers. He looks
over at Juliette and they giggle. Another rehearsal. This time, Pitt’s
handed the prop gun, which is already primed with blanks. He walks around weighing
it up, feeling the power of it in his hand. They eventually shoot the scene
seven, maybe eight times. During the second take, the gun doesn’t fire,
so Pitt improvises and goes “Bang!”

As the scorching sun slowly sinks over the desert, though filming is declared
over for the day, Pitt stays behind to talk some more. We chat about Amsterdam,
his favourite European city; about camping in Yosemite, which he plans to do
when the movie is over. I remind him of a conversation he had with some members
of the crew earlier that day about jazz legend Miles Davis, and how he’d
like to make a movie about a musician.

“You know, I always wanted to be a musician, but I couldn’t play
for shit. I couldn’t sing for shit either, so I said, ‘Oh, acting,
that’s what I’ll do…’ Seriously,” he says, “I
want to do music. I like music better than movies.”

It strikes me that Brad Pitt has none of the pretensions of many less obviously
talented actors; he’s very much a natural. Maybe that’s why, when
I ask him about his best performance in a film so far, he replies, “I’m
not happy with any of them. Truthfully. But that’s a perfection thing.
I don’t take it seriously.”

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