Category: moneyball

Sony is still game on making the baseball pic “Moneyball”

Production on “Moneyball” was set to start last month but studio topper Amy Pascal wound up pulling the plug on the pic just days before lensing was to begin when Soderbergh turned in a new version of the script that the studio didn’t want to make.

Pic was put into limited turnaround at the time, giving other studios the chance to pick it up.

But Sony is keeping hold of the project, and Sorkin’s changes will be more in line with the version the studio favored all along, which focuses on Oakland A’s general manager Billy Beane, who assembled a contending baseball club on a shoestring budget by employing a sophisticated computer-based analysis to draft players.

Soderbergh’s draft and production plans took a more documentary approach that the studio felt wouldn’t cross over commercially with moviegoers.

Sorkin is expected to be completed with his revamp by August.

Read more. Thanks SDR.

Pascal talks more Moneyball

It’s never an easy decision when a studio head has to pull the plug on a big movie, as Sony Pictures co-chairman Amy Pascal did last week when she shut down “Moneyball,” a $58 million Steven Soderbergh film that was set to star Brad Pitt as Billy Beane, the maverick general manager of the Oakland Athletics who almost single-handedly reinvented the way baseball scouts and develops young talent.

The movie, based on the best-selling book by Michael Lewis, wasn’t just in preproduction — it was five days away from filming when Soderbergh turned in a new version of the script that Pascal and her Sony team found unacceptable. The decision was so abrupt that the film’s producer, Michael DeLuca, got the call about it while on his honeymoon in Paris. As a courtesy to the stars, Pascal gave them an opportunity to try and set the film up elsewhere, but no other studio has shown any interest. So the movie remains at Sony, but will it ever get made?

Although stories about the film’s abrupt demise have appeared everywhere — with Variety getting the original scoop — Pascal hasn’t talked about the decision until now. To hear her tell it, Soderbergh delivered a script that was inventive but a radical departure from the film Sony thought he was going to make. It was, put simply, more of a re-creation than a feature film.

“I’ve wanted to work with Steven forever because he’s simply a great filmmaker,” Pascal said last week. “But the draft he turned in wasn’t at all what we’d signed up for. He wanted to make a dramatic re-enactment of events with real people playing themselves. I’d still work with Steven in a minute, but in terms of this project, he wanted to do the film in a different way than we did.”

Read more.

Soderbergh off Moneyball

Time to back away from Moneyball for a while: the New York Times reports that Steven Soderbergh is totally off the project, only hours after the LA Times published an interview with Sony head Amy Pascal, who reiterated the studio’s reasons for bailing on the project. And both the Times and Movieline talked to Major League Baseball (MLB), which has been in the process of negotiating with Sony to approve the use of official logos and team names. The whole convoluted story is after the jump.

OK, so the original report was that Amy Pascal had scrapped the project only days before filming because Soderbergh had turned in a new draft that was a ‘radical departure’ from the previous one by Steve Zaillian. The problem, though, wasn’t that it was more crazy, but that it was too restrained. Zaillian’s draft had been more dramatic, more movie-like, and Soderbergh’s brought it back to reality. Perhaps too close to reality, as that’s what Pascal responded to. (What are the chances that Soderbergh’s draft went back to realism and the truth in order to ensure that MLB played along? Pretty good, though that might not be the only reason.) Read more.

Moneyball.. passed on

At a time when expensive adult dramas keep striking out at the box office, it appears not even Brad Pitt and director Steven Soderbergh can entice a Hollywood studio to spend about $57 million on a baseball movie.

Pitt and Soderbergh, who were given a short window to set up their adaptation of the 2003 bestselling book “Moneyball” at a rival studio after Sony Pictures unexpectedly killed the project just three days before production was to begin today, have been turned down by Warner Bros. and Paramount Pictures, which shared concerns about the film’s high budget and limited commercial appeal.

Sony movie chief Amy Pascal had given them the weekend to try and set the movie up at the two studios where they have the closest ties. Pitt’s production company is based at Paramount, and the actor and Soderbergh have made the “Ocean’s 11” movies at Warner.

On Friday, as first reported by industry trade paper Daily Variety, Sony’s Pascal pulled the plug on the production after Soderbergh turned in a rewrite of the script by Steve Zaillian that she found unacceptable, according to people close to the situation. A person informed about the matter said that Pascal had liked Zaillian’s adaptation of Michael Lewis’ book about Oakland A’s general manager Billy Beane, but when Soderbergh’s rewrite came in last Wednesday, she was surprised that there were “substantial changes.”

Pascal met with Soderbergh in her Culver City office to see if he was willing to revise his take, but the two couldn’t agree on a vision for the film. They also disagreed over Soderbergh’s plan to shoot the film in a more improvisational documentary style, the person said.

She then made a last-minute decision to scrap the production, shocking those who were about to start shooting, said one individual involved in the project.

By Monday, Paramount and Warner Bros. had already decided to pass. Read more. Thanks Gabriella.

Sony scraps Soderbergh’s ‘Moneyball’

Columbia Pictures has dropped the ball on “Moneyball,” the Steven Soderbergh-directed Brad Pitt-starrer that was supposed to begin production Monday in Phoenix. On Friday, Columbia Pictures topper Amy Pascal placed the picture into “limited turnaround,” giving the filmmaker the chance to set it up at another studio, with Warner Bros. and Paramount the prime targets.

The move came after Pascal read the final draft delivered last week by Steve Zaillian and Steven Soderbergh and found it very different from the earlier scripts she championed. Pascal was uncomfortable enough with how Steven Soderbergh’s vision had changed that she applied the brakes.

Soderbergh and Pitt’s CAA reps spent the weekend attempting to get another studio to play ball in a game that will play out until Monday. If a new financier doesn’t emerge by tomorrow, Columbia will re-examine options that include replacing Soderbergh (and hoping that Pitt doesn’t ankle), delaying the film until she and the filmmaker find themselves in synch on the script, or pulling the plug. Read more. Thanks Intothegrinder and Gabriella.