Gwyneth Paltrow’ s husband is understanding of her friendship with her ex. ET’s Cassie DiLaura spoke with the 50-year-old Goop founder on Wednesday, and Paltrow revealed how she rekindled her friendship with Brad Pitt and how her husband, Brad Falchuk, feels about her doing so.
Paltrow and Pitt dated in the ’90s and got engaged in 1996, before calling it quits later that year.
“When we first broke up, we weren’t friends for a while and then we sort of found our way back, probably about 18 or 19 years ago, something like that, and then just kind of stayed in touch over the years,” Paltrow told ET, after publishing a Q&A with Pitt on Goop earlier this year.
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Geena Davis dishes on co-stars Bill Murray, Brad Pitt and Susan Sarandon in new memoir
Whether you remember it or not, Geena Davis is a treasure, a diverse and talented actress with a filmography that boasted some of the finest movies of the 1980s and early 1990s. Now, Davis is reflecting on some of her career highs and lows, chiefly as they relate to some famous co-stars.
Geena Davis also spoke highly of Brad Pitt, who got his breakout in 1992’s Thelma & Louise. “He was very self-effacing and sweet and kind and whatever. It never felt like he was All That.” (But, of course, he is.) She also heaped praise on co-star Susan Sarandon, who she called “a revelation.”
‘Bullet Train’s Director & Producer Talk Brad Pitt, New Technology, IMAX, and More
During the fun and informative conversation, they revealed why they made Bullet Train after Hobbs & Shaw, Leitch’s history of being Brad Pitt’s stunt double, working with Pitt and Bad Bunny, the new technology used on the film, why they love IMAX and if they’ll use it on their next film, The Fall Guy, with Ryan Gosling, how they pulled off filming most of the movie on a Sony soundstage in Culver City, and how they stage action.
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Well, what I’m curious about is everyone in Hollywood is looking to cast Brad in a movie. He gets sent every script in town and basically, you know, he gets offered everything. So did your history give you the leg up to getting him in this movie? Had you been talking about working together for a while?
LEITCH: We had. I was really humbled to find out, he’d been watching my career since I started to move into second unit directing and directing. Obviously, John Wick, Atomic Blonde, he knew those things. We reunited on Deadpool 2 for that cameo. And he was like… He was a huge fan of the first film and he was also a fan of Ryan’s, and so to get him to do that, we got to reunite again. And he was just starting to see me as a filmmaker. So yeah, then it was a touch point, hey, we should find something.
Pitt Keeps a ‘Sh*t List’ of Actors He Won’t Work with, Says Aaron Taylor-Johnson
Don’t get on Brad Pitt’s bad side.
The Oscar winner apparently keeps a “shit list” of actors he won’t work with, according to “Bullet Train” co-star Aaron Taylor-Johnson.
“He is in a new chapter of his life, I think,” Taylor-Johnson explained of Pitt during the Locarno Film Festival in Switzerland.
While Pitt is a “humble and gracious human being,” Taylor-Johnson added that the actor expects the same from co-stars in return. “He just wants to bring light and joy into the world and be around people who are there to have a good time,” the “Kraven the Hunter” lead said. “You work with many actors and after a while you start making notes: ‘I am definitely not working with this person ever again.’ Brad has this list too: the ‘good’ list and the ‘shit’ list.”
Colin Davidson found Brad Pitt ‘creative at heart’ during his painting lessons
The celebrated Belfast artist Colin Davidson has recalled how he taught Brad Pitt how to paint.
In a new TV interview, he discussed his career and time spent with some of the most famous people in the world.
Few could have predicted that Colin’s own art students would one day include Hollywood superstar Brad Pitt.
He said the A-list encounter started with an email from a lawyer who said a client in the United States had enjoyed his work and had asked to learn how to paint.
The Fight Club star had seen Colin’s work in a 2012 exhibition in London as well as on the cover of a Glen Hansard album.
