Category: BP Press

Entertainment Weekly

Brad Pitt gives a rare, three-and-a-half hour interview in the new issue of Entertainment Weekly, speaking from London where he’s promoting Moneyball and shooting the zombie epic World War Z. He talks about career highs, like meeting Angelina Jolie on the set of Mr. & Mrs. Smith: “We had some good workshops beforehand. Had some good laughs and ideas. That was just a great collaboration that turned into a greater collaboration.” He admits the couple may want to rethink their policy of never working at the same time — it helps with child rearing, but also means they can’t make movies together. “We should be doing them together,” Pitt says, in the first in a series called The EW Interview, dedicated to icons reflecting on their careers. “That’s what we should be doing. We should be doing everything together, and then we could work less. We could have more time off.”

The conversation covers many low moments as well, and Pitt is ruthlessly honest about his own failures. Told he looks miserable in 1994’s Interview with The Vampire, he says: “I am miserable. Six months in the f—ing dark. Contact lenses, makeup, I’m playing the bitch role…” Pitt says he was depressed by the colorless role and the dreary London shoot: “One day, it broke me… I called David Geffen, who was a producer… I said, ‘David, I can’t do this anymore. I can’t do it. How much will it take to get me out?’ And he goes, very calmly, ‘Forty million dollars.’”

Read more/discuss. Thanks Gabriella & Yukko.

The magazine will be out sept. 16th! Lots more snippets @ the link. Hilarious.

Japan Times

BEVERLY HILLS, California — Terrence Malick kicks off his new film, “The Tree of Life,” with a bang. The Big Bang, actually. Over the next 138 minutes, the viewer witnesses a journey through history that ends up in a small town in Texas. Critics seem to agree that you’ll either love it or hate it.

“Terrence Malick has vision,” Brad Pitt, who stars in the film, tells The Japan Times. “He’s not about commercial concerns, he’s about stretching filmmaking to the limit.”

It’s a vision that not everyone is seeing, but those who do are impressed. The critic Roger Ebert called the film a “form of prayer” that made him “alert to the awe of existence.” The film also won the Palme d’Or at this year’s Cannes Film Festival in France.

Malick is famous for not giving interviews. He has directed six films since debuting with the short “Lanton Mills” in 1969. This lack of output has been attributed to his perfectionist approach to making movies. As Japan Times film critic Giovanni Fazio pointed out in last week’s review of “The Tree of Life,” this can be both a curse and a blessing.

However, Pitt stands by Malick’s perfectionism, “When Terrence makes a movie, he takes his time. He can’t be dictated to. He’ll wait just as long as he needs to start shooting.”

Read more @ BP Press. Thanks Anu.

SF Gate

There will be few halfhearted reactions to Terrence Malick’s grandly ambitious new film, “The Tree of Life,” which last week was awarded the Palme d’Or, the Cannes Film Festival’s highest prize.

Partisans of the director, one of American film’s few genuine visionaries (“Days of Heaven,” “The New World”), will see it as a deeply moving, poetic meditation that addresses classic spiritual and philosophical questions with sublime images and minimal dialogue. Viewers of a different temperament will find it self-important and arty in the worst way.

The cast includes Brad Pitt as the authoritarian father, Bay Area native Jessica Chastain as his wife and Sean Penn as the grown-up son. Chronicle Movie Critic Mick LaSalle calls Pitt’s performance one of the actor’s finest.

Pitt spoke by phone from Los Angeles.

Read more.


For Brad Pitt, the Cannes Film Festival is almost a perennial rite of spring. He’s been there four of the past five years, either with his own films (Ocean’s Thirteen, Inglourious Basterds) or accompanying his partner Angelina Jolie (for Changeling). But this year, as the star and one of the producers of Terrence Malick’s The Tree of Life, Pitt was also the impromptu spokesman for the absent, famously shy writer-director. The film, which won Cannes’ highest accolade, the Palme d’Or, features what many have called Pitt’s finest, boldest performance, as the severe father of three young boys in suburban Texas in the 1950s.

Read more. Big long wonderful interview! Can you guys keep up on the SB updates of today? Be sure to scroll down for more goodies.

Mag alert: USA Weekend

In the parking lot outside a Los Angeles photo studio, a scruffy-looking guy sporting a goatee, black T-shirt and motorcycle boots sits on the curb puffing a cigarette. He’s listening intently to a stylish man rave about a cool camera shop. A passerby would barely notice the pair as they head into the building.

But when the photographer starts shooting, the bearded guy seems to undergo a transformation. Grooving to Jimi Hendrix on the sound system, he assumes an expression of ineffable cool, his posture somewhere between rakish and regal. He radiates glamour by the gigawatt. Suddenly, he’s Brad Pitt.

Read more.

• x001 Magazines – USA Weekend.

Who is willing and able to please scan this magazine for the website please?

Washington Post

Snapshot: An unseasonably hot May night in New York, 1991. The feminist road movie “Thelma & Louise” has just had a splashy premiere, with an after-party at a Mexican restaurant. A 27-year-old actor named Brad Pitt, who started the night as an unknown, has emerged from the screening as the breakout story. At the party, he and his girlfriend, Juliette Lewis, greet well-wishers at their table — not a crush of fans, mind you, but the kind of high-energy scrum that announces to everyone present: From now on, this young man will be a star.

A friend and I happened to witness the transformation firsthand that night. But as we watched the blond, baby-faced actor throw back beers with his posse, we weren’t entirely sure whether Pitt knew that his life had irrevocably changed.

“I remember that night,” he said in a call from Los Angeles last week. “But I was absolutely naive and was not prepared for what it would mean. I just wanted to be in movies, I wanted opportunities, and that’s what I saw from that.”

Read more. Really nice interview. Btw, I also updated BP Press, go have a look.

USA Weekend

In his latest movie, The Tree of Life (opening in New York and Los Angeles May 27, and nationwide soon after), Brad Pitt plays the domineering father of three young sons in 1950s Texas – a small-town setting that hit close to home, he says.

Pitt, 47, says he was reminded of his own boyhood in Springfield, Mo., while making the film, in which Sean Penn plays his grown son.

“We were out running around until dark, chasing fireflies with tennis rackets, up to all sorts of mayhem,” Pitt recalls of his childhood.

These days, the actor is raising six kids of his own (three adopted, three biological) with partner Angelina Jolie, while roaming the world on movie shoots and humanitarian missions.

Read more. Thanks marypoppinsmyass. (Updated with some more bits)

Cannes 2011: BP Press

And along with the portrait session posted below came a lovely new interview which was of course added to BP Press.

You won’t catch Brad Pitt doing fatherhood in a small way, on screen or in his real family life with Angelina Jolie.

In Terrence Malick’s “The Tree of Life,” which premiered this week at the Cannes Film Festival, Pitt plays a father of three in a drama that deals with the biggest of questions about our place in the cosmos.

In his home life, Pitt and Jolie are parents of six — three biological children, three adopted. For Pitt, who was childless into his 40s after his marriage with Jennifer Aniston broke up, it all happened in just a few years.

“I know it seems extreme from the outside, but I’ve always kind of operated this way. When I know, I know, and why mess around?” Pitt, 47, said in an interview.

Read more.