Brad Pitt Wins Best Supporting Actor Oscar
It’s Pitt’s first Academy Award in an acting category. He previously won as producer of “12 Years a Slave.”
Brad Pitt has won the Best Supporting Actor Academy Award for his performance as stunt double Cliff Booth in Quentin Tarantino’s “Once Upon a Time in Hollywood.”
In a fairly competitive category, Pitt beat out fellow nominees Tom Hanks (Fred Rogers in “A Beautiful Day in the Neighborhood”), Anthony Hopkins (Pope Benedict XVI in “The Two Popes”), Al Pacino (Jimmy Hoffa in “The Irishman”), and Joe Pesci (Russell Bufalino in “The Irishman”).
This is Pitt’s fourth nomination as an actor, and his first acting Oscar win. Previously, he was nominated for Best Supporting Actor in 1996 for “12 Monkeys,” for Best Actor in 2009 for “The Curious Case of Benjamin Button,” for Best Actor in 2012 for “Moneyball.”
As a producer, he has three Best Picture nominations: “Moneyball” (2012), “12 Years a Slave” (2014), and “The Big Short” (2016). He won for “12 Years a Slave,” which was his first ever Oscar win.
• x011 June 14, 2014 – Los Angeles, CA
• x008 July 05, 2015 – Los Angeles, CA
• x015 The Counselor – On set (’12)
• x006 August 28, 2014 – Fury (Photocall) – Bovington, England
• x005 June 11, 2013 – World War Z – Seoul, South Korea
• x028 June 11, 2013 – World War Z – Moscow, Russia
• x008 September 16 – Ad Astra (Press Conference) – Washington DC, WA
• x008 September 18 – Ad Astra (Photocall) – Los Angeles, CA
Brad Pitt poked fun at his own dating life and the U.K.’s decision to leave the European Union.
Brad Pitt won big at the British Academy Film and Television Arts Awards, but the actor wasn’t at the award show to pick up his award.
Shortly before the London awards show was scheduled to begin, it was revealed that Pitt, who was nominated for best supporting actor for his role in Once Upon a Time in Hollywood, would not be attending the show, as had been expected.
Though Pitt, 56, was not physically at the award show, he did get a chance to show off his sense of humor as costar Margot Robbie accepted the award on his behalf and read his speech on stage.
“Brad couldn’t be here tonight due to family obligations, so he asked me to read his response for him,” Robbie said.
“He starts by saying, ‘Hey Britain. Heard you just became single. Welcome to the club!’ ” the actress said while reading Pitt’s jokes in his speech, which poked fun at his own dating life and the U.K.’s decision to leave the European Union became official this week.
“He then says, ‘Thank you to the Academy for this extreme honor.’ He says he’s ‘always been a bit intimidated over here given the Royal Academy of Dramatic Arts and the titans that have come before, so this is especially meaningful,’ ” Robbie continued.
Pitt’s acceptance speech also had a joke about another high-profile exit: Prince Harry and Meghan Markle’s decision to step back from royal life.
The actor joked he would be calling his award Harry because he was looking forward “to taking it back to America.”
A rep for Pitt did not immediately respond to PEOPLE’s request for comment.
So much of the Sundance hype train these days revolves around whatever indie production company/distributor A24 brings to the festival or acquires in Park City each year, and it seemed that the press quickly made up their mind about which of their two offerings they were going to run with this year. That film was Zola, which had all the makings of a buzz-worthy and attention-grabbing premiere here thanks to its relatively unique premise — it’s the first movie based off of a series of tweets! — and, sadly, I won’t have a chance to see it while I’m here. On the other hand, A24’s other festival offering, Lee Isaac Chung’s Minari, co-produced with Brad Pitt’s Plan B, is being left to rest on its massive bonafides, surprising audiences (including myself) with its warmth and heart. You’ll want to keep your eyes and ears open for any word on when this one will come out, because it is just lovely.
Quentin Tarantino’s ninth film, “Once Upon a Time … in Hollywood,” is set in 1969 Los Angeles at the end of Hollywood’s Golden Age. It showcases Oscar-nominated costume designer Arianne Phillips’ divine array of looks for historical and fictional characters alike.
Phillips suspects her somewhat nonlinear career (she’s worked with Madonna for 22 years across many mediums and has been a fashion editor and theater costume designer) meant she was up for the challenge of bringing Tarantino’s film to sartorial life.
“It was a real camaraderie I’d never really experienced on that level,” Phillips says. “It was every fantasy I could ever have in terms of a film about Hollywood and being part of a contemporary Hollywood history.”