As NASA prepares to send the first woman and next man to the Moon by 2024 under the Artemis program, Brad Pitt is playing an astronaut in his latest film. Now the actor will have the opportunity to discuss what it’s truly like to live and work in space with a NASA crew member living aboard the International Space Station.
Pitt’s Earth-to-space call will air live at 11:35 a.m. EDT Monday, Sept. 16 on NASA Television and the agency’s website.
NASA astronaut Nick Hague will answer questions from the actor. For nearly 20 years, astronauts have continuously lived and work on the International Space Station, testing technologies, performing science and developing the skills needed to explore farther from Earth.
“Faster alone, further together,” Brad Pitt murmured. Over his left shoulder hung Mars, reddish-brown and heartbreakingly small, while to his right, the much grander Jupiter was lit up like a disco ball.
We were seated opposite each other on the lowest level of the Griffith Observatory in Los Angeles, inhabiting a closed-off exhibition called “Depths of Space,” mulling stoic men. Pitt has played his fair share of them in the movies, including two characters just this year: Cliff Booth, the bemused stunt man who sauntered through the summer hit “Once Upon a Time … in Hollywood,” and Roy McBride, an astronaut shuttled to lonelier, ever more remote outposts of the galaxy in the coming “Ad Astra.”
Movie stars have their specialties, and while Pitt has proved that he can play a motormouth in films like “12 Monkeys” and “Snatch,” he’s at his most alluring when he’s holding something in reserve. It feels like you’re watching a man who says no more than he needs to, which is a major feat for someone who has starred in two films from the notoriously loquacious Quentin Tarantino.
“I grew up with that be-capable, be-strong, don’t-show-weakness thing,” Pitt told me. He was raised in Springfield, Mo., the eldest of three children, his father the owner of a trucking company. Now, at 55, he’s reached a point where he sees his dad in every performance he gives. “In some ways, I’m copying him,” Pitt said. “He had grown up in extreme hardship and poverty, always dead set on giving me a better life than he had — and he did it. But he came from that stoic ilk.”
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As previously announced, Ana de Armas will play the Some Like It Hot actress, leading a cast that will include Adrien Brody, Bobby Cannavale and Julianne Nicholson.
Jackie actor Caspar Phillipson, Toby Huss, Sara Paxton and David Warshofsky will also appear in the feature, along with Lily Fisher (General Hospital), Evan Williams (Versailles) and Xavier Samuel (Adore).
The Assassination of Jesse James’ Andrew Dominik wrote and will direct the movie.
Blonde is based on the novel of the same name by Joyce Carol Oates that boldly reimagined the private story of the world’s most famous sex symbol. The film is a fictional portrait of the model, actress and singer during the ’50s and ’60s told through the modern lens of celebrity culture.
Brad Pitt, Dede Gardner and Jeremy Kleiner are producing for Plan B, along with Tracey Landon and Scott Robertson.
VENICE, Italy, Aug 29 (Reuters) – Brad Pitt has fought in wars, pulled off robbery heists and confronted rivals in the boxing ring during his career, but the Hollywood star says his most challenging film yet is playing an astronaut on a life-saving mission in the space epic “Ad Astra”.
The 55-year-old actor takes audiences to the far reaches of the solar system in his role as Roy McBride after a new threat causing disastrous power surges threatens Earth.
McBride sets off to find his pioneering astronaut father, played by Tommy Lee Jones, who went missing more than a decade earlier while on a mission to Neptune.
Set in the near future when mankind has set up living stations and research centres on the moon and Mars, McBride makes his way into the vast abyss journeying through spectacular landscapes and empty space.
The trip soon becomes a journey of self-discovery.
“This has been the most challenging film I have ever worked on,” Pitt, also a producer on the movie, told a news conference at the Venice Film Festival, where “Ad Astra” premieres on Thursday.
“The story … is so delicate and any clip of a frame too early or music cue or voiceover could easily tip the thing over or be too much or be too obvious. It was a constant effort just to try to maintain this balance and try to keep this story unfolding in a very subtle and delicate way.”
I know I am rather late with the latest updates, but eh real life happens. Anyways, as you can see I have been catching up with all the Brad goodies. Stay tuned! Here is a lovely video of Brad arriving at the Venice Film Festival last week, promoting Ad Astra! Be sure to read the amazing reviews posted at the SB Forum!
In James Gray’s Ad Astra, Brad Pitt plays an astronaut traveling to the farthest reaches of our solar system to find his lost father and grapple with existential questions. And at the heart of the film, Pitt said at its Venice press conference earlier today, was the exploration of what constructs of masculinity mean and whether they need to be broken down.
“Having grown up in an era where we’re taught to be strong, not show weakness, don’t be disrespected,” Pitt said, “There’s a certain value in that, but there’s also a barrier that’s created with this kind of embracing of the self, because you’re denying, in a sense, those pains or the things you feel shame, whether real or imagined.
“We were asking the question, is there a better definition for us? Does being more open provide you with a better relation with your loved ones and with yourself? At the end of the day, that’s certainly what we were after.”
Of the film’s more technical aspects—particularly the zero gravity sequences—Pitt said he consulted with friend George Clooney, who had starred in Gravity. “Doing a space film is a little bit like a Peter Pan stage production, hanging from wires,” he explained. “George and I exchanged some discomfort stories.”
Gray said Pitt’s vulnerability as an actor leant itself to exploring those themes. In creating the character, he explained, “The key is you cannot worry about being liked or hated or sympathetic or unsympathetic. You can only worry about being honest to who you are, and about being willing to be vulnerable or open. Sometimes that will lead you to dark places and people will love it or hate it, but you can’t worry about that. I tried to establish that dialogue with Brad, Brad certainly did with me, and you let the chips fall where they may.”
“The Ellen DeGeneres Show” will celebrate the beginning of its seventeenth season during the week of September 9.
Day-by-day listings are beginning to materialize for premiere week.
September 9: Kylie Jenner (plus Kris Jenner joins Kylie and Ellen to surprise fans as part of the $1 million giveaway)
September 10: Melissa McCarhty
September 11: Chrissy Teigen, Chance The Rapper
September 12: Reese Witherspoon
September 13: Sean Hayes
An official press release says Brad Pitt will also be appearing during premiere week; the airdate for his visit is not yet available.
Robert Richardson is not only one of the best cinematographers working today, he’s also one of the closest collaborators of one of the best writer-directors in history. Richardson has worked with Quentin Tarantino on five films now, dating back to Kill Bill, but their latest collaboration is one of their most satisfying yet. Once Upon a Time in Hollywood takes place over the course of three days in 1969 and follows the lives of a fading TV actor named Rick Dalton (Leonardo DiCaprio), his laid-back stunt double Cliff Booth (Brad Pitt), and shining star Sharon Tate (Margot Robbie)—Rick’s next-door neighbor.
Once Upon a Time in Hollywood brings 1969 Los Angeles to life in a way that feels vibrant and vivacious, but it’s also a deeply intimate story of these three characters. Richardson’s cinematography at once evokes the epic promise of Hollywood, but also the personal triumphs—and failures—of those trying to make it. Along the way, Richardson and Tarantino delightfully capture life on a Western TV series set, evoke the spookiness of the Manson Family-filled Spahn Ranch, and go dark for a truly shocking (and ultimately touching) grand finale. The striking nature of images onscreen is a testament to both Richardson’s and Tarantino’s talents, but despite the varying locations and landscapes, all feel like pieces of a whole.
Read more. Interesting interview from his perspective as a cinematographer. He also mentions Brad a few times. Nice read!