May 25, 2019

Some quotes from the Cannes Once press conference:

Can you take stock on your life now and your life from the past?

BRAD PITT: I see Rick and Cliff as one individual. It really comes down to the acceptance of your life, your place, your surroundings, your challenges and troubles. In Rick we see someone who’s put upon in life. Life’s against him and they are some of the best breakdown scenes I’ve ever seen from my friend Leo here. In Cliff we see a character who accepts his lot in life and takes it as it comes.

Did you discuss with Polanski about dealing with tragedy in your film?

PITT: What the film so beautifully addresses is a loss of innocence. In 1969 when the Manson murders occurred there was this free love movement, a lot of hope and new ideas floating out there. Cinema was being recalibrated when that tragic loss of Sharon and the others happened. What scared people lasts so much today. It was a sobering look at the dark side of human nature.

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May 22, 2019


• x037 Once Upon a Time in Hollywood – Trailer 2 (Screencaps)
• x046 Once Upon a Time in Hollywood (premiere) – May 21 – Cannes, France

May 22, 2019

AP/Japan Times:
“Twenty-five years after premiering “Pulp Fiction” in Cannes, Quentin Tarantino returned to the French film festival with neither great vengeance nor furious anger but a gentler fairy tale about 1960s Los Angeles.”

Variety:
“Despite the ghoulish premise and sprawling canvas (no expense was spared in recreating Vietnam-era L.A.), the film is more of a character study than some of Tarantino’s recent works. It is, in some respects, a meditation on the ephemeral nature of talent and a cautionary tale for artists who find themselves out of step with the times. It’s unclear how commercial that will prove, something that could be worrisome for “Once Upon a Time in Hollywood’s” backers, given the film’s hefty price tag. It also should be noted that nearly every film at Cannes earns an ovation. That type of audience response doesn’t always translate into rapturous reviews.”

Bloomberg:
“When reports first came out in July 2017 that Tarantino’s next project would be a film about the Manson Family, a 1960s cult who went on a killing spree, Weinstein was still involved. Three months later, the New York Times published detailed allegations of Weinstein’s extended history of sexual assault, triggering one of the biggest scandals in Hollywood history, and soon thereafter Tarantino cut ties with his former mentor.

It’s therefore inevitable that Once Upon a Time in Hollywood will be judged in light of Tarantino’s newfound independence. Disappointingly, the director’s first post-Weinstein film is strikingly bland.”

May 21, 2019

Quentin Tarantino is in my face. He’s smiling, polite. But still, in my face. Nose-to-nose like.

“Listen,” he says, and he starts fast-twirling his index finger in a tight circle, like he’s winding dental floss around it. “I’ve come up with a few questions that could be really good for you to ask.”

His voice is hushed, conspiratorial, but since this is Tarantino, it’s also stage-whisper loud. And naturally, the words tumble out of his mouth with an urgency I would, in any other encounter, describe as Tarantino-esque. But in this case, that’s redundant.

We’re on the patio of a house in the Hollywood Hills. A minute earlier, I was alone under the eaves, looking at Tarantino, Brad Pitt, and Leonardo DiCaprio standing near the pool, all of Los Angeles unspooling into the horizon behind them. For a moment, I found myself staring at the three of them, thinking, Well, damn. Don’t exactly see this every day.

I’m waiting for them to finish being photographed so that we can talk about how they came together to make Tarantino’s new movie, Once Upon a Time in. . .  Hollywood, and what they learned through that creative process. Today will be the first time all three of them have been in the same room since they wrapped production in November. For the past six months, Tarantino has been racing to finish cutting the film, to premiere it at Cannes. Still, he found time to phone me two days ago, to give me some backstory on the film’s development. Yet it seems since then, he’s also had time to think about what we could discuss.

“But here’s something important,” he says. “I don’t want it to seem like you are asking a question.”

Read more. It is an amazing (long) interview with a beautiful new photoshoot featuring Brad, Leonardo DiCaprio and Quentin Tarantino! I am excited. Be sure to pick up your copy! If you are able to scan it for SimplyBrad.com, please email me :)


• x010 Esquire 2019

May 21, 2019

Brad Pitt and Leonardo DiCaprio on the set of ‘Once Upon a Time in Hollywood’
The film — starring Brad Pitt, Leonardo DiCaprio and Margot Robbie — is set to hit theaters in July.
Columbia Pictures has released a new trailer for Quentin Tarantino’s Once Upon a Time in Hollywood.

The film tells the story of stars Brad Pitt and Leonardo DiCaprio’s respective characters, Cliff Booth and Rick Dalton, as they try and navigate an evolving Los Angeles as the city and its starry inhabitants enter the early 1970s. Tarantino — who serves as the film’s director, producer and writer — describes it as “a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood.”

Tarantino is at the Cannes Film Festival to premiere Once Upon a Time in Hollywood, and shared a plea on social media Monday asking Cannes audiences not to spoil the project’s twists and turns.

Read more.

April 29, 2019

The first thing you need to know about Quentin Tarantino’s Once Upon a Time… in Hollywood is that it is not a Charles Manson-murders movie, according to producer David Heyman.

“That’s one of the big misconceptions to clarify,” he tells EW. As part of EW’s Summer Movie Preview, Heyman and producer Shannon McIntosh, who’s worked with Tarantino for more than two decades, cleared up some mystery around the plot of Tarantino’s anticipated movie and teased some intriguing details.

Set in 1969, Once Upon a Time brings together Leonardo DiCaprio as fading Western TV star Rick Dalton and Brad Pitt as his stunt double Cliff Booth, two friends navigating an industry and era in flux, painstakingly re-created on location in Los Angeles by Tarantino. But Charles Manson and his deadly cult do play an important role in the film; Australian actor Damon Herriman plays the infamous cult leader, while Margaret Qualley, Dakota Fanning, and Lena Dunham play members of his Manson Family.

“It’s about the loss of innocence that came about in 1969 with the Manson family,” explains McIntosh. There’s the starry Margot Robbie as It Girl and eventual ?Manson-family victim Sharon Tate, who lives next door to Rick. “It’s the three classes of Hollywood,” says Heyman. “There’s the high Hollywood of Sharon, the declining star of Rick, and there’s Cliff, who lives farther out and with more humble means.”

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