The face is hardly wrinkled and the long blond locks appear unchanged, but Brad Pitt, who will turn 49 in December, is increasingly preoccupied with the passage of time and the thought that his rarefied place in movies is fleeting.
It’s now been more than 20 years since Pitt broke out as the heartthrob of “Thelma & Louise.” While nothing has diminished his status as one of the few genuine movie stars on the planet, Pitt says he’s now working as if an expiration date lurks.
“I’m definitely past halfway,” says Pitt. “I think about it very much as a father. You just want to be around to see (your children) do everything. If I have so many days left, how am I filling those days? I’ve been agonizing over that one a bit like I never have before.”
But that sense of urgency has helped fuel some of Pitt’s best, most daring work, including his new film, “Killing Them Softly.” It’s his second with Andrew Dominik, the New Zealand-born director of “The Assassination of Jesse James by the Coward Robert Ford.” In the adaption of George V. Higgins’ 1974 crime novel, “Cogan’s Trade,” Pitt plays a hit man operating in a shabby underworld of image-conscious gangsters.
It’s almost surprising how few blockbusters Pitt has starred in over the last decade. Instead, he’s gravitated toward working with revered directors like Terrence Malick (“Tree of Life”) and the Coen brothers, and shaping his opportunities by producing them. His production company, Plan B, produced both “Jesse James” and “Killing Them Softly,” as well as many of his films in between.